HOLOCENE:
A THEATRICAL & ENVIRONMENTAL CONCERT 


SOUNDING A DRAMATIC ENVIRONMENTAL ALARM

HOLOCENE:
AN ABSURDLY DRAMATIC
CONCERT EXPERIENCE


A sort of odyssey of our modern times—our already-aging modern times—hurtling toward a future that is practically obsolete. A radical, tender, and clownish artistic act that confronts our collective depression, affectionately embraces the full scope of our cynicism, and stares down our incurable inertia—all to help us regain some momentum, and to remind us that our tragedy is beautiful, and that everything plays out within it. 

Une sorte d’odyssée de notre temps moderne, de notre déjà vieux temps moderne, au futur presque périmé. Acte artistique radical, tendre et clownesque qui s’en prend à notre dépression collective, embrasse affectueusement l’étendue de notre cynisme, dévisage notre incurable inertie, pour nous aider à reprendre un peu d’élan, nous rappeler qu’elle est belle, notre tragédie, et que tout s’y joue.

Sound the Alarm is proud to initiate this project creation as envisioned by our Artistic Director, Alan Corbishley and scheduled for its world premiere in 2028.

We are honoured to be in collaboration with the following esteemed and truly celebrated international artistic team 

L'immédiat
Theatre Troupe

Based in France, L'immédiat and its founder Camille Boitel, is a theatre troupe that creates highly technical, multidisciplinary performances that blend circus, dance, theatre, and cinema, often featuring intricate sets and elaborate machinery. Their work is known for exploring themes of reality, perception, and the absurd through a unique, often tragicomic lens, resulting in sophisticated shows that are not intended for children, though they can be enjoyed by families.
L'immédiat never begins, never ends; it is everywhere at once, always out of step, polymorphic and instantaneous, elusive and monstrous. 'The immediate' is the name (almost immediately erased) of our troupe, and of our artistic adventure. The imm… mm… always said too late to truly say it, as if always doomed from the start. We equipped ourselves for a shipwreck, we worked to fail, slowly, meticulously, conscious (sometimes suddenly) of playing at the impossible. The figures in these various shattered pieces—a calamitous cabaret, a gambling machine, an inconsolable spectacle, a lecture on jubilation…—are all at once tragic and cruelly comic, abandoned to a vertiginous world of accidents, abruptness, and failures. Here we attempt to paint a tender portrait of our shattered lives, our ruined humanity, our incurable fragility.
The company creates works of all kinds, primarily works of living art, unfolding in real time with real elements and real elements with fake ones. But it has also recently ventured into film, art installations, and all sorts of works that break free from conventional formats. Mixing everything together, weaving, welding, writing everything, teeming, overflowing, failing, unable to stop itself. 
They have been featured at festivals around the globe and are celebrated for their daring and innovative approach to 'immediate' performance.

SHHH!! Ensemble
Piano & Percussion Duo

Based in Ottawa, percussionist Zac Pulak and pianist Edana Higham are the two members of SHHH!! Ensemble, a duo carving a space for themselves as electrifying performers of new music. With a keen ear for experimentation and exploration, SHHH!! has been deemed “truly virtuosic and intense” by Toronto’s Confluence Concerts and called “a beautiful discovery” following their debut with the Société de musique contemporaine du Québec.

Formed in 2017, SHHH!! Ensemble began developing their signature “avant-accessible” style and has since developed innovative repertoire for their ensemble by commissioning new works - including Frank Horvat's "An Auditory Survey of the Last Days of the Holocene" which debuted as a SHHH!! recording in 2023, and is the musical work at the core of this concert production.